Art Campus

Katalin Andreides is a Rome-based EU art lawyer who advises HNW clients, art dealers, galleries, financial institutions, artists and artists‘ studios and estates in a number of regions including Italy, France, Monaco and Hungary. Her practice includes the full spectrum of transactional, advisory and dispute resolution services pertaining to art. Katalin’s focus has been the contemporary art market in Europe, but she has also advised her clients on legal issues surrounding antiquities, old masters and modern works of art. She has particular experience in navigating the European export license regime and cross-border inheritance management involving art and other collectible chattels.

Katalin is a CAfA-appointed (Court of Arbitration for Art) Arbitrator. She is a member of the Institute of Art and Law, London, TIAMSA (the International Art Market Studies Association) and the British Institute of International and Comparative Law. She serves as an Officer on the Art, Cultural Institutions and Heritage Committee of the International Bar Association.

Colinne S. Bartel is the owner of Truffle Time, a subsidiary of AC Innovation GmbH. AC Innovation serves as a marketing and business development catalyst for entrepreneurs. As chief project manager, Ms. Bartel was responsible for capital expenditures and acquisition integration for an Advent International portfolio company that executed one of the fastest growing telecommunications buy & build projects in Europe. After finalizing her MBA and a research trip in East Africa in 2002, Colinne joined McKinsey & Company. Ms. Bartel holds a B.A. in Political Science from University of California, Los Angeles, an M.A. in International Relations from the Claremont Graduate School and a dual MBA in Strategy and Finance from The Peter F. Drucker School of Management and the EDHEC Business School. Her passions are sports, the arts and cultural exchange.

María Magdalena Campos-Pons is an artist and the Cornelius Vanderbilt Endowed Chair of Fine Arts at Vanderbilt University. She is the founder for the Engine for Art, Democracy, and Justice (EADJ) program at Vanderbilt University, and she is the founder for Intermittent Rivers, a biennial project in Matanzas, Cuba. Campos-Pons has had solo exhibitions at the Museum of Modern Art in New York, the Indianapolis Museum of Art, and the National Gallery of Canada, among other distinguished institutions. She has participated in the 49th Venice Biennial, the 55th Venice Biennial, and Documenta 14.

Kayla Colon is a visual artist and an Engine for Art, Democracy and Justice (EADJ) ambassador. She is from Brooklyn, New York, and is passionate about using creativity to heal, educate, and uplift communities rising above the challenges of oppressive systemic inequality. Kayla enjoys exploring a variety of creative outlets as her form of storytelling, from painting to poetry, dancing, creative directing, and more. She will continue using art as a tool for transforming harmful social structures into ones that empower and evolve our collective spirit.

Daudy is a London-based visual artist recognised for her work exploring and re-evaluating the human experience in the context of the natural world. Known for her written interventions in public and private spaces, Daudy’s work is based on an ancient Chinese literati practice. Although disruptive, her work is full of optimism; current world circumstances seem dire, but the future remains in our hands. Previous highlights include exhibitions for Saatchi Gallery, South Bank Centre and St Paul’s Cathedral in London. Globally, Daudy has exhibited in Granada, Madrid, New York, Palermo, Paris and Jordan.

Gareth Fletcher lectures on a range of subjects across Art Logistics and Art Business. As well as his role as Programme Director for MA in Art Logistics, he is Leader of the Art Crime online intensive course. He also lectures the application and adoption of blockchain systems within the art market for the Art & Tech: Data, Market Analysis and Blockchain online intensive programme. He has received a TECHNE AHRC scholarship to pursue his PhD examining the semiotics of provenance information in the establishment of cultural and economic value in the market for Near Eastern antiquities. His current research explores the interface between the contextual information of cultural objects and technology, and the integration of traditional art market processes within Web 3.0 applications. He sits on the Advisory Board for the Responsible Art Market (RAM) London Committee.

Dr. Flynn is co-founder with Angelina Giovani-Agha of Flynn & Giovani Art Provenance Research. He is a UK-based art historian and a specialist in the professional practices of the international art market, historical and contemporary sculpture, museology, and issues in art crime and cultural heritage. Tom is a graduate of the University of Sussex and the Royal College of Art. He completed his doctorate at the University of Sussex in 1998. A former journalist at The Art Newspaper, his writing has appeared in numerous international art market publications. He has held board positions with art price data company Invaluable and the contemporary print retailer Eyestorm. He was Senior Lecturer at Kingston College of Art from 2010-2017, directing the RICS-Accredited MA in Art Appraisal (Professional Practice) and has taught at Sussex University; IESA (Paris and London); Richmond, the American University in London, and is currently a visiting lecturer at Christie’s Education. He co-edited (with Dr Tim Barringer) Colonialism and the Object: Empire, Material Culture and the Museum (Routledge, 1997).

Bruce lives in central Cambridge and works from a studio nearby. As a professional artist for over 45 years he has travelled widely in search of subjects — from the Arctic and Antarctica, to Africa, much of Europe, and the Americas. The essential element in his practice is fieldwork observing the rhythm and restlessness of wildlife and elemental landscapes, as well as when people sometimes interact with both, creating powerful images and dramatic themes. The result can be a few small sketches — or a larger more considered and ambitious drawing or painting. Or it can be a range of snatched ideas, fragments and incomplete work that is taken back to the studio where the accumulation of creative debris provides new inspiration and fresh starting points for new work, sometimes in a completely new medium.

As well as exhibiting in UK galleries and overseas, Bruce has also written and illustrated a number of books. Among them An Artist on Migration (1991) a personal interpretation of the annual journeys make flowing with the seasons between Europe and Africa, and Troubled Waters — Trailing the Albatross, an Artist’s Journey (2011) that follows the lives and fortunes of countless seabirds that collide with industrial fishing interests on the open ocean.

Bruce was elected an SWLA member in 1978 and served as president of the society 1994 — 2004 and is currently vice president. He is also vice president of the Artists for Nature Foundation.

Till Vere-Hodge is a Partner at Payne Hicks Beach LLP specialising in Art and Cultural Heritage Law. Till advises international private collectors, art dealers and auction houses, galleries and museums, as well as art investors and advisors, in relation to both contentious and non-contentious matters.